Filed under: LC Poetry

Leonard Cohen Poem "Much Later" Identifies Melted Ray Charles Album

Rcmelt

Leonard Cohen has often described the fate of Ray Charles albums to which he listened when he and Marianne lived in Hydra. This excerpt from Leonard Cohen: The Romantic in a Ragpicker’s Trade by Paul William (Crawdaddy, March 1975) is representative:

I had a little record player that ran on batteries. I would work outside on my terrace [of the house in Greece], and if I would forget how fast the sun was moving and forget to move, the record would melt, right over the turntable. I used to play Ray Charles all the time and I lost a couple of Ray Charles records, I still have them, they’re just like Dali watches,1 just dripped over the side of the turntable.

About four years ago, I began an unrequited (until now) search for the names of those Ray Charles albums Leonard Cohen played (until they melted) at his house in Hydra.

The identity of one of those LPs was revealed, however, not in an interview or in an entry in a biography or even as a bit of oral history passed along from the Cohen cognoscenti I questioned but from a serendipitous reading of Leonard Cohen’s poignant poem, "Much Later, " published in Book Of Longing.

Much Later

Ray Charles singing You Win Again
in the sunlight
twenty years ago
Ray Charles the singer I would never be
and my young wife
‘the wife of my youth’
smiling at me from an upstairs room
in the old house
Ray Charles and Marianne
dear spirits of my Greek life
now in the sunshine of every new summer
Marianne coming down the steps
‘the woman of the house’
ray Charles speaking fiercely
for our virgin humanity
Twenty years ago
and again in this Hollywood summer
still companions of the heart
as I measure myself once more
against the high sweet standards
of my youth

  – Los Angeles 1978

From Book Of Longing by Leonard Cohen

You Win Again is found as a track on Modern Sounds in Country and Western Music, the ABC-Paramount Records album Ray Charles released in April 1962. It was #1 on the Billboard Pop Album chart for 14 weeks and remained on that chart for two years.

Rcalbum
Cohen bought his home in Hydra in 1960 and didn’t leave permanently, according to his biography at the CBC site, until 1966 (other sources list 1967 as the date of his departure from Greece).

The poem’s text and the conjunction of Cohen’s years of residence on Hydra and the release date of Modern Sounds in Country and Western Music make, I submit, a strong presumptive case for this being one of  those albums the Greek sun fashioned into vinyl replicas of Dali watches.

El Libro De La Misericordia By Leonard Cohen

It's only a Spanish edition of The Book of Mercy by Leonard Cohen, translated by Alberto Manzano that is easily available (at Amazon.es it's being sold for 11,40 with free shipping on orders over 19) and the fedora on the paperback's cover isn't particularly appropriate to the poetic content, but it nonetheless strikes me as a handsome book. And, the title is far more impressive rendered in Spanish.

Credit Due Department: Images contributed by Dominique BOILE.

Saint Catherine Street By Leonard Cohen

Towering black nuns frighten us
as they come lumbering down the tramway aisle
amulets and talismans caught in careful fingers
promising plagues for an imprudent glance
So we bow our places away
the price of an indulgence

How may we be saints and live in golden coffins
Who will leave on our stone shelves
pathetic notes for intervention
How may we be calm marble gods at ocean altars
Who will murder us for some high reason

There are no ordeals
Fire and water have passed from the wizards' hands
We cannot torture or be tortured
Our eyes are worthless to an inquisitor's heel
No prince will waste hot lead
or build a spiked casket for us

Once with a flaming belly she danced upon a green road
Move your hand slowly through a cobweb
and make drifting strings for puppets
Now the tambourines are dull
at her lifted skirt boys study cigarette stubs
no one is jealous of her body

We would bathe in a free river
but the lepers in some spiteful gesture
have suicided in the water
and all the swollen quiet bodies crowd the other
prey for a fearless thief or beggar

How can we love and pray
when at our lovers' arms
we hear the damp bells of them
who once took bitter alms
but now float quietly away

Will no one carve from our bodies a while cross
for a wind-torn mountain
or was that forsaken man's pain
enough to end all passion

Are those dry faccs and hands we see
all the flesh there is of nuns
Are they really clever non-excreting tapestries
prepared by skillful eunuchs
for our trembling friends

__________

Published in Let Us Compare Mythologies by Leonard Cohen

Signs Of Leonard Cohen - International Poetry Forum 1968

Jim-dine-posrter-international-poetry
This poster announcing Leonard Cohen's January 17, 1968 presentation at the International Poetry Forum was created by pioneering pop artist Jim Dine. Poster found on auction site.

All posted items from the photo series, Signs Of Leonard Cohen, can be viewed at Collected Signs Of Leonard Cohen.

Judy Collins Sings Leonard Cohen Songs, Puzzles Pittsburgh Poetry Patrons

Research on this poster led to me the discovery of a 1966 Poetry Forum gig by Judy Collins who played several selections from Leonard Cohen - and flopped. That story can be found at Collins Covers Cohen, Confounds Carnegie Culture Crowd

_________________

The International Poetry Forum was founded by Dr. Samuel Hazo “to demonstrate the relevance and centrality of poetry to the public through the oral presentation of poetry.” From 1966 to 2009, when the economic collapse made funding impossible, the International Poetry Forum in Pittsburgh, Pennsylvania, sponsored more than 500 poetry recitals and related events in Pittsburgh and Washington, DC. Performers have included Nobel Awardees, Pulitzer and National Book Award Winners, Academy and Tony Awardees plus numerous other significant poets such as Archibald MacLeish, Richard Wilbur, Robert Lowell, Robert Penn Warren, Billy Collins, Robert Pinsky, Muriel Rukeyser, Philip Levine,  Senator Eugene J. McCarthy, Adam Zagajewski, and Seamus Heaney.

Going Home By Leonard Cohen: Comparing Poem & Song At New Yorker Site

Ny-vs-ny
Hear Going Home By Leonard Cohen


Two Versions Of “Going Home” At NewYorker.com

As discussed in yesterday’s post,  Jan 16, 2012 – Hear New Leonard Cohen Song “Going Home” Streamed By New Yorker Site, the new Leonard Cohen song, viewers may now hear “Going Home” from the soon to be released Old Ideas album at the New Yorker site. The poem, "Going Home," which is the basis of the song's lyrics, is also available on  the Poetry page of the magazine.

Going Home - The Poem and The Song

It is worth  noting  that the poem "Going Home" and the lyrics of t he song "Going Home" differ somewhat.

To make comparison convenient, I’ve indicated the variations by entering words that are sung that not in the poem not on the  lyrics page in red. The words from the poem they replaced, if any, are printed in blue.  I’ve also indented the penultimate and antepenultimate verses to signal those lines sung by the chorus rather than Mr Cohen.

Going Home
By Leonard Cohen

I love to speak with Leonard
He’s a sportsman and a shepherd
He’s a lazy bastard
Living in a suit

But he does say what I tell him
Even though it isn’t welcome
He will never/just doesn't have the freedom
To refuse

He will speak these words of wisdom
Like a sage, a man of vision
Though he knows he’s really nothing
But the brief elaboration of a tube/tune

Going home
Without my sorrow
Going home
Sometime tomorrow
Going home
To where it’s better

Than before

Going home
Without my burden
Going home
Behind the curtain
Going home
Without the costume
That I wore

He wants to write a love song
An anthem of forgiving
A manual for living with defeat

A cry above the suffering
A sacrifice recovering
But that isn’t what I want/need him to complete

I want to make him/him to be certain
That he doesn’t have a burden
That he doesn’t need a vision

That he only has permission
To do my instant bidding
That/Which is to SAY what I have told him
To repeat

Going home
Without my sorrow
Going home
Sometime tomorrow
Going home
To where it’s better
Than before

Going home
Without my burden
Going home
Behind the curtain
Going home
Without the/this costume
That I wore

[Chorus sings:]
I’m going home
Without my sorrow
Going home
Sometime tomorrow
Going home
To where it’s better
Than before

Going home
Without my burden
Going home
Behind the curtain
Going home
Without this costume
That I wore

I love to speak with Leonard
He’s a sportsman and a shepherd
He’s a lazy bastard
Living in a suit

________________

Credit Due Department: I became aware that the printed and sung versions of “Going Home” differed from a LeonardCohenForum post written by dreamermusic.  Jerry Berman  convinced me the most likely word sung at the end of the 12th line is “tune.”

New Yorker Magazine To Stream & Print Lyrics To Leonard Cohen's "Going Home" On Jan 16th

Newyorkerpostcoverx

On January 16, 2012, “Going Home” will become, thanks to The New Yorker, the third song from Leonard Cohen’s Old Ideas album  available for online listening (“Show Me The Place” and “Darkness,” are currently available at their respective links).

For the full story, including the New Yorker's take on Cohen's songwriting as poetry, see the Heck Of A Guy Post on the New Yorker, Leonard Cohen, Going Home, & Poetry.

Leonard Cohen On Tattoos - Prayer For Messiah

Lc-tattoo-poem

From the description: "It was my first and only tattoo (though I plan on getting more done) and I went by myself and didn't even cry!"

Posted by florence at Weddingbee, this tattoo features a raven and a dove and is based on Prayer For Messiah by Leonard Cohen (from "Let Us Compare Mythologies"):

His blood on my arm is warm as a bird
his heart in my hand is heavy as lead
his eyes through my eyes shine brighter than love
O send out the raven ahead of the dove

His life in my mouth is less than a man
his death on my breast is harder than stone
his eyes through my eyes shine brighter than love
O send out the raven ahead of the dove

O send out the raven ahead of the dove
O sing from your chains where you're chained in a cave
your eyes through my eyes shine brighter than love
your blood in my ballad collapses the grave

O sing from your chains where you're chained in a cave
your eyes through my eyes shine brighter than love
your heart in my hand is heavy as lead
your blood on my arm is warm as a bird

O break from your branches a green branch of love
after the raven has died for the dove

DrHGuy Note: I have altered the photo by darkening a distracting light placed in the area over the subject's left shoulder and by cropping out blank portions of  the shot.

Video: Prayer For Messiah  Read By Leonard Cohen

All photos from the Leonard Cohen On Tattoos series can be viewed at Leonard Cohen On Tattoos Collection.

________________

Leonard Cohen On Tattoos:  In this exchange from On the road to singing sensation, a 1966 CBC TV interview, Leonard Cohen exercises the poet’s prerogative of re-interpreting and manipulating the interviewer's words and his own to distract and deflect:

Leonard Cohen: ... I thought that I would ... get a tattoo
Beryl Fox: Where?
Leonard Cohen: There’s this place on St. Lawrence Blvd.

As far as I can determine, Leonard Cohen never got that tattoo - but many of his admirers do sport inked images of and words inspired by the Canadian singer-songwriter on their bodies. Those specimens form the content of the Leonard Cohen On Tattoos photo series.

Celebration by Leonard Cohen

When you kneel below me
and in both your hands
hold my manhood like a sceptre,

When you wrap your tongue
about the amber jewel
and urge my blessing.

I understand those Roman girls
who danced around a shaft of stone
and kissed it till the stone was warm.

Kneel, love, a thousand feet below me,
so far I can barely see your mouth and hands
perform the ceremony,

Kneel till I topple to your back
with a groan, like those gods on the roof
that Samson pulled down. 

 - From The Spice-Box Of Earth by Leonard Cohen